"What went through Ike's head when he heard that advice?" she continued. 2 on the R&B charts in 1960 - and was impressive enough that a label head told Ike to make Tina the group's centerpiece. She then described how she was a last-minute replacement to sing on "A Fool In Love" - which became the duo's first hit, reaching No. "Looking back, I realize that my relationship with Ike was doomed the day he figured out that I was going to be his meal ticket, his moneymaker," Turner wrote in My Love Story. The troupe was eventually rechristened the Ike and Tina Turner Revue, highlighting her elevated role.īy all accounts, Ike was excessively cruel toward Tina, both personally and professionally. King's "You Know I Love You" wowed the bandleader. In 1957, she ended up joining the group after her impromptu performance of B.B. Louis venue Club Manhattan, where she first saw Ike Turner & The Kings of Rhythm. Louis at age 16 to live with Alline and her mother, and began going to the famed East St. Later, she honed her performing presence further by singing at picnics with a regionally famous trombonist named Mr. In Tina Turner: My Love Story, she describes music-filled shopping excursions - being 4 or 5 years old and being paid by salesgirls to sing radio hits she had memorized - and the exhilaration of leading her cousins, half-sister Evelyn, and sister Alline in pretend stage shows. But performing came naturally, and became her solace. Growing up, she had a distant relationship with both her father, who abandoned the family when she was 13, and mother. 26, 1939, Turner grew up in rural Nutbush, Tenn., but also spent time in Knoxville, as her parents moved there for work. She helped me so much when I was young and I will never forget her."īorn Anna Mae Bullock on Nov. She was inspiring, warm, funny and generous. "She was truly an enormously talented performer and singer. "I'm so saddened by the passing of my wonderful friend Tina Turner," Jagger said in a statement on Instagram. "In fact, to be more accurate, one should call Mick 'the male Tina Turner.'" (This is no mere critical hyperbole: In the same Rolling Stone feature, Turner herself insinuated that Jagger studied her moves rather closely when she and Ike toured with the Rolling Stones in 1969.) Naturally, when the pair teamed up for a barnburning cover of the Jacksons' "State of Shock" at Live Aid in 1985, the combination was incendiary. "Someone once called Tina 'the female Mick Jagger,'" Rolling Stone's Ben Fong-Torres wrote in 1971. In addition to her vocal prowess, Turner had a commanding stage presence that was often characterized as "electrifying." This descriptor somehow always seemed like an understatement: At the microphone, Turner vibrated with energy, like a simmering pot about to boil over, and she possessed natural athleticism that translated to lithe but powerful onstage dancing. She would win eight Grammys overall - including best female rock vocal performance for three years in a row during the '80s. The latter song won Turner her first Grammy Award, for best R&B performance by a duo or group with vocal. An agile vocal interpreter, Turner also made other people's iconic songs her own - adding a tone of yearning and desperation to The Beatles' already-pleading "Come Together," and layering on more of a country twang to The Rolling Stones' "Honky Tonk Women." Her signature tune, a fiery transformation of Creedence Clearwater Revival's laid-back "Proud Mary," became a showcase for her sultry soul drawl and raspy rock 'n' roll yelp.
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